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George Walker’s Neo Neocerebellum

Introduction Sometimes one can nag a friend. And I remember beginning to...

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Portfolio Madness: A Diary

INTRODUCTION Enough is Enough!  I need to end this streak of five...

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Donna Diamond: Imagined light

Introduction The chief perquisite of my ART I SEE blog is getting...

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Making Sky Aipens Go Big

Introduction One of the things I wanted to discover after returning to...

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Facades of Almora: Carved Survivors

  Introduction I have to admit that my first week in India...

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Julie’s & Nicole’s Paper Aipan

  INTRODUCTION On my last morning near the Uttarakhand (India) village of...

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EVAN LINDQUIST: An engraver’s Engraver

  PREFACE In shortened form, this post first appeared in the Spring...

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Lessons in AIPAN

  INTRODUCTION Despite having two blog categories–Art I See and Art I...

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2015 in Relief: Thom & Tom

  Introduction Sorry to be posting this final leg of my 2015...

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Joseph Leboit: Before “Tranquility”

  INTRODUCTION I was going to include a print by Joseph Leboit...

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2015 RECAP: Decorative Arts

  INTRODUCTION It IS additive adding beautiful things to your living space,...

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Walker & Berg: Updates on Wordless Novelists

INTRODUCTION Much has happened since I first wrote about a pair of...

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Barbara Paca: Rescuing Ruth Starr Rose

INTRODUCTION When I learned that Baltimore’s Reginald F. Lewis Museum was planning...

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Louisiana Bendolph: From Cloth to Paper

Introduction This article was first published in the Fall 2015 edition of...

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Letter from Lynd Ward

TRANSACTION My letter from wordless novelist Lynd Ward (1905-1985) has arrived 74...

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