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Allegra Marquart: From Paper to Glass

INTRODUCTION When I signed up for a printmaking MFA at the Maryland...

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PICTURE BOOKS: Landacre, Underwood, more Rössing

Filling the Gap While waiting the next ART I SEE interview to...

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STEFAN BERG: Buddy Bolden in Black & White

INTRODUCTION If it wasn’t for my Art I See post on George...

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TRUDI LUDWIG JOHNSON: Her 14-year Odyssey

INTRODUCTION   This saga goes back so far that it would be...

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DONNA DIAMOND: Imagining/Imaging Mortality Dot-by-Dot

INTRODUCTION   I try to follow a theme when I hang prints...

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George Walker: Wordless Novelist

Introduction   Graphic novels are alive and well thanks mostly for GenXers...

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Raj’s New Print Odyssey

Introduction   I hope some of my Art I See readers will...

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Rosemary Feit Covey: Printmaker’s Journey

This article first appeared in the Fall 2014 issue of the Newsletter...

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Karl Rössing: Witness to Weimar’s Final Years

Introduction Sometimes eBay can open worlds to you. This is what happened...

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R.O. Hodgell: master linocutter

Introduction A bee in my print collector’s bonnet arrived last October when...

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Belgium and the Netherlands: The Paper Trail

Introduction If you spend four weeks in Belgium and the Netherlandsas as...

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Baltimore’s Publications & Multiples Fair

Intro You’ve heard the phrase “parallel universe,” and you may think it...

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Mario Sanchez: The Pride of Key West

Intro   This article first appeared in the spring 2014 issue of...

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FLOORCLOTH: Painted canvas for 1806 hallway

Well, they say that you never forget how to ride a bicycle....

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Elbridge Kingsley and Gifts for a Blogger: More on 19th-Century Wood Engravings

Introduction Surprises even happen in the obscure world of blogging on late...

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