Allegra Marquart: From Paper to Glass
INTRODUCTION When I signed up for a printmaking MFA at the Maryland...
PICTURE BOOKS: Landacre, Underwood, more Rössing
Filling the Gap While waiting the next ART I SEE interview to...
STEFAN BERG: Buddy Bolden in Black & White
INTRODUCTION If it wasn’t for my Art I See post on George...
TRUDI LUDWIG JOHNSON: Her 14-year Odyssey
INTRODUCTION This saga goes back so far that it would be...
DONNA DIAMOND: Imagining/Imaging Mortality Dot-by-Dot
INTRODUCTION I try to follow a theme when I hang prints...
George Walker: Wordless Novelist
Introduction Graphic novels are alive and well thanks mostly for GenXers...
Rosemary Feit Covey: Printmaker’s Journey
This article first appeared in the Fall 2014 issue of the Newsletter...
Karl Rössing: Witness to Weimar’s Final Years
Introduction Sometimes eBay can open worlds to you. This is what happened...
R.O. Hodgell: master linocutter
Introduction A bee in my print collector’s bonnet arrived last October when...
Belgium and the Netherlands: The Paper Trail
Introduction If you spend four weeks in Belgium and the Netherlandsas as...
Baltimore’s Publications & Multiples Fair
Intro You’ve heard the phrase “parallel universe,” and you may think it...
Mario Sanchez: The Pride of Key West
Intro This article first appeared in the spring 2014 issue of...
FLOORCLOTH: Painted canvas for 1806 hallway
Well, they say that you never forget how to ride a bicycle....
Elbridge Kingsley and Gifts for a Blogger: More on 19th-Century Wood Engravings
Introduction Surprises even happen in the obscure world of blogging on late...