COLLABORATORS: Raoul Middleman & Brian Garner
I had the distinct privilege early this month (Sept. 2013) to photograph...
Interpretive Wood-Engraving: interview with its author
This is Part 2 of my blog on late 19th-century American wood...
New School Wood Engravers: forgotten 19th-century celebrities
AN INTRO I don’t know whether the gist of this post...
Operation Operating Room….. In The Beginning
I didn’t think this would be so difficult. All I wanted to...
The Search for Lenore R. Szesko
Intro On rare occasions habitually trolling eBay has its rewards. In...
Print Dealers: where would I be without them
Intro I owe my print collecting jones to Betty Duffy, who ran...
Willard Clark: Kevin Ryan’s Grandpa
This article in a slightly abridged form was first printed in...
Sol Print Studio: plate test
This article first appeared in the Spring 2013 issue of the Newsletter...
Mini-Retrospective at Jordan Faye Contemporary
In over 30 years as an artist, until now I’ve never had...
Raj’s Jungle: A Linocut That Goes Round and Round
Who would have thought that when I went shopping at Maryland Institute,...
New Life For Sydney Lee, An Obscure British Printmaker
Who knows why I did a web search last week for the...
PAINTED FURNITURE: Learning about original surfaces
The set of dining room chairs in my parents house were sturdy...
Sol Print Studios Exhibition at Stevenson University
Printmakers and print collectors alike should make a pilgrimage to Stevenson University,...
Down to the Bone
This interview first appeared in the fall 2012 Newsletter of the Print,...