Eric Avery: Doctor of Printmaking
Introduction Ever since I purchased Dr. Eric Avery’s huge linocut Massacre of...
East-West Woodcuts: Urushibara & Brangwyn
INTRODUCTION I think purchasing Ten Woodcuts by Yoshijiro Urushibara (Japanese, 1888-1953) last...
Print Collecting: How they got here
Introduction When you don’t have deep pockets, collecting becomes an adventure where...
Tetouan: Art I See
Introduction My first post on my month in Tetouan, a small northern...
Tetouan: Art I Make
Introduction: Overseas art residencies Every once in a while I scroll through...
Leilot: Erich Glas’s Traumatic Creation
Introduction As often happens these days, it all began with an online...
Snarking at the Cottage with George Walker
INTRODUCTION This is a “Blame it on the Pup” or “Careful...
Fables: Erich Glas’s prints add to genre
INTRODUCTION One of the benefits of being a daily watchdog of eBay...
Emma Bormann: A Family Affair
INTRODUCTION Thank goodness I started a reference library around 1980, near...
New Home for MICA Printmaking
Precede Consider this blog post a primer for the Saturday, March 24,...
big clock: buy first, research later
INTRODUCTION I’ve been eyeing tall clocks (“grandfather clocks” in today’s vernacular)...
Shadra Strickland: children’s book Illustrator
INTRODUCTION The first part of this blog post is largely a...
Italian Doorways, Infinite Vistas
introduction Every time I go abroad I know to pack the tools...
Harry & Bill: Making of a woodcut autobiography
Precede This article was first published in the spring 2017 issue of...