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Art I See

Kibbutzim in Eretz Israel

INtroduction When you patronize a retailer, that seller is likely to feed...

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Eli Jacobi: Missed opportunity

  Introduction While I purchased this print by Eli Jacobi at auction...

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John Sloan: Anatomy lesson with friends

Introduction When I started out as a print collector some 40 years...

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Eretz Israel: Narratives in relief prints

  Introduction Even as a seasoned print and book collector who tries...

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Red Chairs: How they got that way

Introduction What seduced me into purchasing a set of six New York...

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Update 2019: Print Acquisitions

Introduction Exciting developments at the end of 2019 spark this ART I...

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Remedy for Rethel: Conserving 1840s broadsheet

Introduction I hadn’t realized that it took me over two years to...

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ERIC AVERY: Paradise arrives

Introduction Some how in the process of completing my first ART I...

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Rethel’s Death as Counterrevolutionary Meme

The Want Artist Alfred Rethel (German, 1816-1859) first grabbed my attention in...

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Eric Avery: Doctor of Printmaking

Introduction Ever since I purchased Dr. Eric Avery’s huge linocut Massacre of...

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East-West Woodcuts: Urushibara & Brangwyn

INTRODUCTION I think purchasing Ten Woodcuts by Yoshijiro Urushibara (Japanese, 1888-1953) last...

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Tetouan: Art I See

Introduction My first post on my month in Tetouan, a small northern...

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Leilot: Erich Glas’s Traumatic Creation

Introduction As often happens these days, it all began with an online...

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Snarking at the Cottage with George Walker

  INTRODUCTION This is a “Blame it on the Pup” or “Careful...

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Emma Bormann: A Family Affair

  INTRODUCTION Thank goodness I started a reference library around 1980, near...

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