New Home for MICA Printmaking
Precede Consider this blog post a primer for the Saturday, March 24,...
big clock: buy first, research later
INTRODUCTION I’ve been eyeing tall clocks (“grandfather clocks” in today’s vernacular)...
Shadra Strickland: children’s book Illustrator
INTRODUCTION The first part of this blog post is largely a...
Harry & Bill: Making of a woodcut autobiography
Precede This article was first published in the spring 2017 issue of...
Walker’s NEW NEO IS HERE
INTRODUCTION George Walker’s new edition of Images from the Neocerebellum is...
2016: marble pier table & high-back fancy chair
INTRODUCTION I made just one decorative art acquisition in 2016–a c. 1830...
Richard Wagener: Naturalist/Wood Engraver
Introduction My excitement about acquiring copies of Richard Wagener’s two books of...
George Walker’s Neo Neocerebellum
Introduction Sometimes one can nag a friend. And I remember beginning to...
Portfolio Madness: A Diary
INTRODUCTION Enough is Enough! I need to end this streak of five...
Donna Diamond: Imagined light
Introduction The chief perquisite of my ART I SEE blog is getting...
Facades of Almora: Carved Survivors
Introduction I have to admit that my first week in India...
Julie’s & Nicole’s Paper Aipan
INTRODUCTION On my last morning near the Uttarakhand (India) village of...
EVAN LINDQUIST: An engraver’s Engraver
PREFACE In shortened form, this post first appeared in the Spring...
Joseph Leboit: Before “Tranquility”
INTRODUCTION I was going to include a print by Joseph Leboit...